Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Abdulai, Jemila (2012) Ghana 2012: An African Election – A Reminder of What’s At Stake. Africa at LSE (15 Oct 2012). Website.

Africa@LSE, (2012) Film, Town of Runners, set for showing at LSE. Africa at LSE (24 Apr 2012). Website.

Africa@LSE, (2012) LSE Exhibition – Justice and Security: there is more than one truth. Africa at LSE (07 Feb 2012). Website.

Akhtar, Zoya and Shriram, Sharanya (2015) “Forget my creative expression, I can tell other stories, but can you imagine being a part of a society that thinks that you should not exist?” – Zoya Akthar. South Asia @ LSE (10 Apr 2015). Website.

Allen, Jessica, Livingstone, Sonia ORCID: 0000-0002-3248-9862 and Reiner, Robert (1998) True lies: changing images of crime in British postwar cinema. European Journal of Communication, 13 (1). pp. 53-75. ISSN 0267-3231

Armstrong, Megan A. (2019) A nation reborn: right to law and right to life in The Purge franchise. Journal of Intervention and Statebuilding, 13 (3). pp. 377-392. ISSN 1750-2977

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Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2016) Bollywood's periphery: child stars and representations of childhood in Hindi films. In: O'Connor, Jane and Mercer, John, (eds.) Childhood and Celebrity. Routledge, London, UK. ISBN 9781138855274 (Submitted)

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2015) Have you seen The Hobbit films? Fill out this questionnaire. South Asia @ LSE (02 May 2015). Website.

Banet-Weiser, Sarah (2011) Convergence on the street: rethinking the authentic/commercial divide. Cultural Studies, 25 (4-5). pp. 641-658. ISSN 0950-2386

Becker, Amy Bree (2015) Political satire makes young people more likely toparticipate in politics: Trevor Noah’s The Daily Showis likely to continue that trend. USApp– American Politics and Policy Blog (03 Apr 2015). Website.

Beckett, Charlie (2007) Beyond the brand: 2012. POLIS: journalism and society at the LSE (04 Jun 2007). Website.

Beckett, Charlie (2007) Online video doesn't have to move…. POLIS: journalism and society at the LSE (21 Sep 2007). Website.

Beckett, Charlie (2007) Picture this…. POLIS: journalism and society at the LSE (16 Jun 2007). Website.

Beckett, Charlie (2011) The end of (TV) natural history? Frozen Planet review. POLIS: journalism and society at the LSE (05 Nov 2011). Website.

Belli, Simone (2012) Book review: Deleuze reframed. LSE Review of Books (18 Dec 2012). Website.

Best, Antony ORCID: 0009-0000-6657-3280 (2023) To contemplate the soul of the oldest civilization in the world: Britain and the Chinese art exhibition of 1935-36. International History Review, 45 (2). 292 - 306. ISSN 0707-5332

Bingham-Hall, John (2015) Public art as a function of urbanism. In: Cartiere, Cameron and Zebracki, Martin, (eds.) The Everyday Practice of Public Art: Art, Space, and Social Inclusion. Routledge, Oxon, UK, pp. 161-176. ISBN 9781138829206

Blackmore, Kara and Serumaga, Nikissi (2018) Creating the right dynamic among our resident artists to curate impact in #LSEreturn. Africa at LSE (04 Apr 2018). Website.

Bloch, Maurice (1999) Book review: Une nouvelle théorie de l’art: a propos d’Art and agency d’Alfred Gell. Terrain, 32. pp. 119-128. ISSN 0760-5668

Bucello, Girard (2018) The vaults. LSE Research Festival 2018, London School of Economics and Political Science, London, UK.

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Callahan, William A. ORCID: 0000-0001-6103-0586 (2020) Sensible politics: visualizing international relations. Oxford University Press. ISBN 9780190071738

Cant, Anna ORCID: 0000-0002-8515-4361 (2017) Representando la Revolución: la propaganda política del gobierno de Juan Velasco Alvarado en el Perú, 1968-1975’. In: Schuster, Sven and Hernández Quiñones, Óscar Daniel, (eds.) Imaginando América Latina: historia y cultura visual Siglo XIX - XXI. Universidad del Rosario, Bogotá, Colombia, 281 - 313. ISBN 9789587389449

Cayli, Eray ORCID: 0000-0001-8113-0349 (2021) Contemporary art and the geopolitics of extractivism in Turkey’s Kurdistan. Transactions of the Institute of British Geographers, 46 (4). 929 - 943. ISSN 1475-5661

Chandler, Michael (2012) #LSE alum helps #SierraLeone youth find a #WAYout. Africa at LSE (20 Feb 2012). Website.

Chatterjee, Sria (2020) Making the invisible visible: how we depict COVID-19. LSE COVID-19 Blog (30 Jun 2020). Blog Entry.

Chatterjee, Sria (2020) Making the invisible visible: how we depict Covid-19. Impact of Social Sciences Blog (10 Jul 2020). Blog Entry.

Chouliaraki, Lilie ORCID: 0000-0002-5683-4691, Orwicz, Michael and Greeley, Robin (2019) Special Issue: The visual politics of the human. Visual Communication, 18 (3). pp. 301-309. ISSN 1470-3572

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Datzberger, Simon (2012) Virtually Constructing Awareness Campaigns – Restrictions of ‘Viral’ Global Public Discourse #Kony2012. Africa at LSE (19 Mar 2012). Website.

Deller, Rosemary (2018) Author interview: Q&A with Stephen Glynn on new book, the British football film. LSE Review of Books (22 Jun 2018). Website.

Dittmar, Jeremiah ORCID: 0000-0002-3930-4496 and Seabold, Skipper (2015) Media, markets and institutional change: evidence from the Protestant Reformation. CEP Discussion Papers (CEPDP1367). London School of Economics and Political Science. Centre for Economic Performance, London, UK.

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Encheva, Kameliya, Driessens, Olivier and Verstraeten, Hans (2013) The mediatization of deviant subcultures: an analysis of the media-related practices of graffiti writers and skaters. Mediekultur: Journal of Media and Communication Research, 29 (54). pp. 8-25. ISSN 1901-9726

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Frigg, Roman ORCID: 0000-0003-0812-0907 (2013) Clever fetishists. Art History, 36 (3). pp. 665-669. ISSN 1467-8365

Frigg, Roman ORCID: 0000-0003-0812-0907 and Howard, Catherine (2011) Fact and fiction in the neuropsychology of art. In: Schellekens, Elisabeth and Goldie, Peter, (eds.) The Aesthic Mind: Philosophy and Psychology. Oxford University Press, Oxford, UK, pp. 54-70. ISBN 9780199691517

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Garland, Ruth ORCID: 0000-0002-8184-9289 (2013) Strange fascination: image in music and politics Part One. POLIS: journalism and society at the LSE (16 Dec 2013). Website.

Garnsey, Eliza (2014) Azania in Venice. LSE Research Festival 2014, The London School of Economics and Political Science, GBR. (Submitted)

Garnsey, Eliza (2014) Performing justice for the Venus in Venice. LSE Research Festival 2014, The London School of Economics and Political Science, GBR. (Submitted)

Giraudeau, Martin (2011) Imagining (the future) business: how to make firms with plans? In: Quattrone, Pablo, Thrift, Nigel, McClean, Chris and Puyou, Francios-Regis, (eds.) IMAgining Organizations: Performative IMAgery in Business and Beyond. Routledge studies in management, organizations and society (14). Routledge, Abingdon, UK. ISBN 9780415880640

Giraudeau, Martin (2016) Inclined plans: on the mechanics of modern futures. In: Latour, Bruno and Leclerc, Christophe, (eds.) Reset Modernity! MIT Press and ZKM, Center for Art and Media Karlsruhe, Cambridge, Massachusetts, pp. 286-292. ISBN 9780262034593

Giraudeau, Martin (2016) The business of continuity. In: Latour, Bruno and Leclerc, Christophe, (eds.) Reset Modernity! MIT Press and ZKM, Center for Art and Media Karlsruhe, Cambridge, Massachusetts, pp. 278-285. ISBN 9780262034593

Glendinning, Simon ORCID: 0000-0002-2312-1839 (2014) Settled-there: Heidegger on the work of art as the cultivation of place. Journal of Aesthetics and Phenomenology, 1 (1). 7 - 31. ISSN 2053-9320

Gokarakonda, Susheel (2013) Book review: The politics of art in modern Egypt: aesthetics, ideology and nation building. LSE Review of Books (19 Aug 2013). Website.

Gornostaeva, Galina and Brunet, Johanne (2009) Internationalization of the production process in the US film industry: the case of the United Kingdom. International Journal of Arts Management, 12 (1). pp. 21-30. ISSN 1480-8986

Green, Duncan (2021) How an arts project created real-world impact for refugees and formerly displaced persons. Africa at LSE (26 Apr 2021). Blog Entry.

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Habib, Laleh (2013) Indian cinema and the politics of national belonging. South Asia @ LSE (23 Dec 2013). Website.

Handyside, Fiona (2018) Book review: the contemporary femme fatale: gender, genre and American cinema by Katherine Farrimond. LSE Review of Books (04 May 2018). Website.

Hanquinet, Laurie, Roose, Henk and Savage, Mike ORCID: 0000-0003-4563-9564 (2014) The eyes of the beholder: aesthetic preferences and the remaking of cultural capital. Sociology, 48 (1). pp. 111-132. ISSN 0038-0385

Hanquinet, Laurie and Savage, Mike ORCID: 0000-0003-4563-9564 (2012) ‘Educative leisure’ and the art museum. Museum and Society, 10 (1). pp. 42-59. ISSN 1479-8360

Hayhoe, Simon (2008) Arts, culture and blindness: studies of blind students in the visual arts. Cambria Press, Youngstown, USA. ISBN 9781934844076

Hayhoe, Simon (2010) Blindness, photography and art. Blindphotographers.Org (16 Feb 2010). Website.

Hayhoe, Simon (2002) Borrowing from language studies and semiotics to form a research framework of institutional art education and blindness. In: Educational Research Network Conference, 2002-09-01, Birmingham, United Kingdom, GBR. (Submitted)

Hayhoe, Simon (2015) Critical duality and the understanding of art by blind people. In: Keynote Presentation, 2015-10-17, Thessaly, Greece, GRC. (Submitted)

Hayhoe, Simon (2019) River is the Venue (RiV): evaluation of the public engagement project, involving artists, educational and arts agencies working collaboratively to educate the public on the history of flooding in Bath through accessible public artworks. . University of Bath, Bath, UK.

Hayhoe, Simon (2003) The development of the research in the psychology of visual impairment in the visual arts. In: Art Beyond Sight: a Resource Guide to Art, Creativity, and Visual Impairment. American Foundation for the Blind, New York, USA. ISBN 9780891288503

Hayhoe, Simon, Cohen, Ruby and Carrizosa, Helena Garcia (2019) Locke and Hume’s philosophical theory of color is investigated through a case study of Esref Armagan, an artist born blind. Journal of Blindness Innovation and Research, 9 (1). ISSN 2155-2894

Haynes, Suyin (2015) Positive Living: Art and AIDS in South Africa. Africa at LSE (17 Dec 2015). Website.

Hilton, Penny (2014) LSE research festival workshops: Penny Hilton on representing research on film. LSE Institute of Public Affairs Blog (19 Dec 2014). Website.

Hook, Derek and Glăveanu, Vlad Petre (2013) Image analysis: an interactive approach to compositional elements. Qualitative Research in Psychology, 10 (4). pp. 355-368. ISSN 1478-0887

Hölsgens, Sander (2015) Book Review: The cinema of Agnès Varda: resistance and eclecticism by Delphine Bénézet. LSE Review of Books (11 Dec 2015). Website.

Hölsgens, Sander (2017) Book review: after uniqueness: a history of film and video art in circulation by Erika Balsom. LSE Review of Books (20 Jul 2017). Website.

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Jenkins, Tiffany (2003) Dead heads: medical and artistic attitudes towards the dead body. In: Kaplan, J., (ed.) Exhumed. Parabola Trust, London, UK, pp. 14-16.

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Kersten, Mark (2012) Taking #Kony2012 Down a Notch – Responding to Criticism. Africa at LSE (15 Mar 2012). Website.

Kilroy, Peter (2016) Book review: remote avant-garde: aboriginal art under occupation by Jennifer Loureide Biddle. LSE Review of Books (21 Sep 2016). Website.

Kostovicova, Denisa ORCID: 0000-0002-6243-4379 (2016) Art and reconciliation: Looking at post-conflict reconstruction in a different light. LSE Department of Government Blog (30 Nov 2016). Website.

Kostovicova, Denisa ORCID: 0000-0002-6243-4379, Sokolić, Ivor ORCID: 0000-0003-1450-8377, Paskhalis, Tom ORCID: 0000-0001-9298-8850 and Milic, Nela (2018) Text illuminations: from the method to the artefact. LSE Government (28 Nov 2018). Website.

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Lim, Wilfred (2015) Art, displacement and sociology. Researching Sociology (10 Nov 2015). Website.

Longden, Vanessa (2019) Book review: photography and the art market by Juliet Hacking. LSE Review of Books (17 Dec 2019). Blog Entry.

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Mariátegui, José-Carlos (2002) Nueva / Vista: Videokunst aus Lateinamerika. . Institut für Auslandsbeziehungen.

Mariátegui, José-Carlos (2010) Re-interpretations in crossfire and the global voice of resistance: an installation by Shahidul Alam. Third Text, 24 (6). pp. 760-763. ISSN 0952-8822

Marples, Alice (2013) Book Review: Wicked intelligence: visual art and the science of experiment in Restoration London. LSE Review of Books (07 Dec 2013). Website.

Matczak, Anna (2015) Restorative justice, photography…and theory. Researching Sociology (14 Dec 2015). Website.

Matthews, Jodie (2014) Book review: female masochism in film by Ruth McPhee. LSE Review of Books (25 Nov 2014). Website.

Maxwell, Hailey (2014) Book review: re-collection: art, new media and social memory by Richard Rinehart and Jon Ippolito. LSE Review of Books (25 Oct 2014). Website.

McDoom, Omar Shahabudin ORCID: 0000-0001-5660-1903 (2012) Are the criticisms of the #Kony2012 campaign justified? Africa at LSE (19 Mar 2012). Website.

Mgibe, Wezile (2021) Using art to challenge and share knowledge on African public health. Africa at LSE (07 May 2021). Blog Entry.

Middle East Centre Blog, (2017) ‘Multitudes’ Exhibition – Celebrating contemporary female artists from the MENA region. Middle East Centre Blog (08 Mar 2017). Website.

Mijs, Jonathan J.B (2014) Detroit's wealth of ruins. Contexts, 13 (2). pp. 62-69. ISSN 1536-5042

Montague, Penny (2018) Book review: deconstructing Dirty Dancing by Stephen Lee Naish. LSE Review of Books (12 Jan 2018). Website.

Montserrat, Jade (2013) Book Review: Inventing Peace: A Dialogue on Perception. LSE Review of Books (04 Dec 2013). Website.

Montserrat, Jade (2013) Book review: Museums: a visual anthropology. LSE Review of Books (06 Jul 2013). Website.

Morrison, Chandra (2020) Public art replacement on the Mapocho River:: erasure, renewal, and a conflict of cultural value in Santiago de Chile. Space and Culture, 23 (2). 149 - 163. ISSN 1206-3312

Mulcahy, Linda (2014) LSE research festival exhibitor interviews: Linda Mulcahy. LSE Institute of Public Affairs Blog (04 Dec 2014). Website.

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Nyameko Pityana, Barney (2012) Black Consciousness, Black Theology, Student Activism and the Shaping of the New South Africa #SteveBiko. Africa at LSE (03 Oct 2012). Website.

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Pratt, Andy C. (1999) Technological and organisational change in the European audio-visual industries: an exploratory analysis of the consequences for employment. . European Audiovisual Observatory, Council of Europe / London School of Economics and Political Science, Strasbourg, France.

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Rees, Susannah (2015) LSE research festival workshops: Susannah Rees on poster design. LSE Institute of Public Affairs Blog (12 Jan 2015). Website.

Rubiés, Joan-Pau (2009) Texts, images and the perception of ‘savages’ in Early Modern Europe: what we can learn from White and Harriot. In: Sloan, Kim, (ed.) European Visions: American Voices. British Museum Research Publications (172). British Museum, London, UK, pp. 120-130. ISBN 9780861591725

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Sabsay, Leticia ORCID: 0000-0001-5567-0464 (2007) En los límites del género: cine, performatividad y subjetividades contemporáneas. In: Felici, Javier Marzal and Gomez Tarin, Francisco Javier, (eds.) Metodologías de Análisis del Film. Edipo, Madrid, Spain, 205 - 214. ISBN 9788488365200

Sabsay, Leticia ORCID: 0000-0001-5567-0464 (2009) Por los rumbos de la economía visual: identidades, cuerpos y estéticas. In: Arfuch, Leonor and Devalle, Veronica, (eds.) Visualidades Sin Fin: Imagen y Diseño en la Sociedad Global. Comunicación y crítica cultural. Prometeo Libros, Buenos Aires, Argentina, 75 - 104. ISBN 9875743062

Santhanam, Anuradha (2013) What is visual journalism? POLIS: journalism and society at the LSE (24 Oct 2013). Website.

Schmid, Julian (2017) Book review: disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world edited by Christina Hellmich and Lisa Purse. USApp - American Politics and Policy Blog (12 Nov 2017). Website.

Schomerus, Mareike (2012) #Kony2012: How not to change the world. Africa at LSE (14 Mar 2012). Website.

Silver, Jonathan David (2019) Book review: Modernist Art in Ethiopia. Africa at LSE (06 Dec 2019), pp. 1-7. Blog Entry.

South Asia, LSE (2012) Seeing Mumbai: media portrayals of cities in the Global South. (02 Jul 2012). Website.

Stock, Paul ORCID: 0000-0003-1777-9463 (2018) Lost treasures of Strawberry Hill: masterpieces from Horace Walpole's collection. Criticks: the reviews website of British Society for Eighteenth-Century Studies (25 Nov 2018). Website.

Stolic, Tijana (2021) Book review: Displacing Caravaggio: art, media, and humanitarian visual culture. Contemporary Political Theory, 20 (S3). 135 - 139. ISSN 1470-8914

Stramignoni, Igor ORCID: 0009-0004-8763-3130 (2022) Figuring out justice in dark times: on law, history, and the visual. Law and Humanities. ISSN 1752-1483

Stramignoni, Igor ORCID: 0009-0004-8763-3130 (2020) Images of law. LSE Law, Society and Economy Working Papers (1/2020). Department of Law, London School of Economics and Political Science, London, UK.

Swanepoel, Konrad ORCID: 0000-0002-1668-887X (2014) Book review: Beautiful geometry by Eli Maor and Eugen Jost. LSE Review of Books (03 Mar 2014). Website.

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Tambini, Damian (2015) Five theses on public media and digitization:from a 56-country study. International Journal of Communication, 9 (2015). pp. 1400-1424. ISSN 1932-8036

Tambini, Damian (2015) Problems and solutions for public service broadcasting: reflections on a 56 country study. In: Arriaza Ibarra, Karen, Nowak, Eva and Kuhn, Raymond, (eds.) Public service media in europe: a comparative approach. Routledge studies in European communication research and education. Routledge, Abingdon, Oxon, pp. 41-52. ISBN 9781138020689

Tavernor, Robert (2003) Brevity without obscurity: text and image in the architectural treatises of Daniele Barbaro and Andrea Palladio. In: Palmer, Rodney and Frangenberg, Thomas, (eds.) The Rise of the IMAge: Essays on the History of the Illustrated Art Book. Reinterpreting classicism. Ashgate Dartmouth, Aldershot, pp. 105-134. ISBN 9780754605591

Tavernor, Robert (2006) Sobre alberti e a arte edificatória. Desígnio: Revista de História Da Arquitetura e Do Urbanismo, 5. pp. 47-59. ISSN 1806-2741

Taylor, Claire (2017) Using social media to curate digital artworks can lead to increased and more dynamic public participation and engagement. Impact of Social Sciences Blog (18 Apr 2017). Website.

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Villacorta, Jorge and Mariátegui, José-Carlos (2005) Un espasmo global Latinoamericano. In: Videografias Invisibles: Una Seleccion De Videoarte Latinoamericano 2000 - 2005. Museo Patio Herreriano, Valladolid, pp. 12-38.

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Washtell, Francesca (2012) African film takes centre stage in London #FilmAfrica. Africa at LSE (30 Oct 2012). Website.

Wille, Simone (2022) Huma Mulji: mobility, art and belonging. South Asia @ LSE (17 Oct 2022). Blog Entry.

Willoughby, Syerramia (2013) Photoblog: The African Diaspora in the Indian Ocean World. Africa at LSE (26 Jun 2013). Website.

Wood, Lucy (2016) Hoardings around Hackney: sociology, art and barriers. Researching Sociology (07 Mar 2016). Website.

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Zhang, Linzhi (2015) Fieldwork in the contemporary Chinese art world. LSE Research Festival 2015, The London School of Economics and Political Science.