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Allen, Jessica, Livingstone, Sonia and Reiner, Robert (1998) True lies: changing images of crime in British postwar cinema. European journal of communication, 13 (1). pp. 53-75. ISSN 1460-3705
Bloch, Maurice (1999) Book review: Une nouvelle théorie de l’art: a propos d’Art and agency d’Alfred Gell. Terrain: revue d'ethnologie de l'Europe, 32 . pp. 119-128. ISSN 1777-5450
Frigg, Roman (2013) Clever fetishists. Art history . ISSN 1467-8365 (In Press)
Frigg, Roman and Howard, Catherine (2011) Fact and fiction in the neuropsychology of art. In: Schellekens, Elisabeth and Goldie, Peter, (eds.) The aesthic mind: philosophy and psychology. Oxford University Press, Oxford, UK, pp. 54-70. ISBN 9780199691517
Giraudeau, Martin (2011) Imagining (the future) business: how to make firms with plans? In: Quattrone, Pablo, Thrift, Nigel, McClean, Chris and Puyou, Francios-Regis, (eds.) Imagining organizations: performative imagery in business and beyond. Routledge studies in management, organizations and society (14). Routledge, Abingdon, UK. ISBN 9780415880640
Gornostaeva, Galina and Brunet, Johanne (2009) Internationalization of the production process in the US film industry: the case of the United Kingdom. International journal of arts management, 12 (1). pp. 21-30. ISSN 1480-8986
Hanquinet, Laurie and Savage, Mike (2012) ‘Educative leisure’ and the art museum. Museum & society, 10 (1). pp. 42-59. ISSN 1479-8360
Hayhoe, Simon (2008) Arts, culture and blindness: studies of blind students in the visual arts. Cambria Press, Youngstown, USA. ISBN 9781934844076
Hayhoe, Simon (2010) Blindness, photography and art. Blindphotographers.org (16 Feb 2010) Blog Entry.
Hayhoe, Simon (2002) Borrowing from language studies and semiotics to form a research framework of institutional art education and blindness. In: Educational Research Network Conference, September 2002, Birmingham, UK. (Unpublished)
Hayhoe, Simon (2003) The development of the research in the psychology of visual impairment in the visual arts. In: Art beyond sight: a resource guide to art, creativity, and visual impairment. American Foundation for the Blind, New York, USA. ISBN 9780891288503
Jenkins, Tiffany (2003) Dead heads: medical and artistic attitudes towards the dead body. In: Kaplan, J., (ed.) Exhumed. Parabola Trust, London, UK, pp. 14-16.
Mariátegui, José-Carlos (2002) Nueva / Vista: Videokunst aus Lateinamerika. Institut für Auslandsbeziehungen.
Mariátegui, José-Carlos (2010) Re-interpretations in crossfire and the global voice of resistance: an installation by Shahidul Alam. Third text, 24 (6). pp. 760-763. ISSN 0952-8822
Pratt, Andy C. (1999) Technological and organisational change in the European audio-visual industries: an exploratory analysis of the consequences for employment. European Audiovisual Observatory, Council of Europe / London School of Economics and Political Science, Strasbourg, France.
Rubiés, Joan-Pau (2009) Texts, images and the perception of ‘savages’ in Early Modern Europe: what we can learn from White and Harriot. In: Sloan, Kim, (ed.) European visions: American voices. British Museum Research Publications (172). British Museum, London, UK, pp. 120-130. ISBN 9780861591725
Tavernor, Robert (2003) Brevity without obscurity: text and image in the architectural treatises of Daniele Barbaro and Andrea Palladio. In: Palmer, Rodney and Frangenberg, Thomas, (eds.) The rise of the image: essays on the history of the illustrated art book. Reinterpreting classicism . Ashgate Press, Aldershot, pp. 105-134. ISBN 9780754605591
Tavernor, Robert (2006) Sobre alberti e a arte edificatória. Desígnio: revista de história da arquitetura e do urbanismo, 5 . pp. 47-59. ISSN 1806-2741
Villacorta, Jorge and Mariátegui, José-Carlos (2005) Un espasmo global Latinoamericano. In: Videografias invisibles: una selección de videoarte latinoamericano 2000 - 2005. Museo Patio Herreriano, Valladolid, pp. 12-38.
