Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"

A

Awwal, Arpana (2021) Bangladesh: film censorship in film magazines. South Asia @ LSE (12 Jul 2021). Blog Entry.

B

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2000) America's master: the decline and fall of the European film industry in the United States. In: Passerini, L, (ed.) Across the Atlantic. Presses Interuniversitaires Europeennes, Brussels, pp. 213-240.

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2000) American dreams: the European film industry from dominance to decline. EUI Review (Summer). pp. 28-36. ISSN 1814-8182

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2004) At the origins of increased productivity growth in services. Productivity, social savings and the consumer surplus of the film industry, 1900-1938. Economic History Working Papers (81/04). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2010) Bedrijfsstrategieën, overheidsbeleid en de Europese filmmarkt tijdens het Interbellum. Tijdschrift Voor Mediageschiedenis, 2. pp. 13-36. ISSN 1387-649X

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2003) Book review: Hollywood's film wars with France: film-trade diplomacy and the emergence of the French film quota policy. Business History, 45 (1). pp. 182-183. ISSN 0007-6791

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2001) Book review: In het wereldfilmstelsel: identiteit en organisatie van de Nederlandse film sedert 1945. Bijdragen En Mededelingen Betreffende de Geschiedenis der Nederlanden, 116. pp. 429-431. ISSN 0165-0505

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2002) Book review: engulfed: the death of Paramount Pictures and the birth of corporate Hollywood. Business History, 44 (3). pp. 146-147. ISSN 0007-6791

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2011) Book review: from betamax to blockbuster: video stores and the invention of movies on video. Business History, 53 (3). pp. 472-474. ISSN 0007-6791

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2010) Book review: networks of entertainment: early film distribution, 1895-1915. Business History Review, 84 (1). pp. 172-174. ISSN 0007-6805

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2007) Book review: the entertainment industry. Eh.Net, Online.

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2001) Book review: the red rooster scare: making cinema American, 1900-1910. Business History, 43 (3). pp. 160-161. ISSN 0007-6791

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2001) Book review: the second century of cinema: the past and future of the moving image. Business History, 43 (1). pp. 161-162. ISSN 0007-6791

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2003) Entertainment industrialised: the emergence of the international film industry 1890-1940. Enterprise and Society, 4 (4). pp. 579-585. ISSN 1467-2227

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2012) How motion pictures industrialized entertainment. Journal of Economic History, 72 (4). pp. 1036-1063. ISSN 0022-0507

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2001) Richard E. Caves. Creative Industries: Contracts between Art and Commerce. Cambridge, Mass.:Harvard University Press, 2000. ix 454 pp. ISBN 0-674-00164-8, $45.00. - Lary May. The Big Tomorrow: Hollywood and the Politics of the American Way. Chicago:University of Chicago Press, 2000. xvi 348 pp. ISBN 0-226-51162-6, $32.50. Enterprise and Society, 2 (2). pp. 392-395. ISSN 1467-2227

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2007) Structural change and the growth contribution of services: how motion pictures industrialized US spectator entertainment. Economic History Working Papers (104/07). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2009) Time and productivity growth in services: how motion pictures industrialized entertainment. Economic History Working Papers (119/09). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2012) Trade Follows the Film: Europe versus Hollywood in the Interwar Years. In: Eisenberg, Christiane and Gestrich, Andreas, (eds.) Cultural Industries in Britain and Germany: Sport, Music and Entertainment From the Eighteenth to the Twentieth Century. Wißner-Verlag, Augsburg, pp. 139-155. ISBN 978-3-89639-865-9

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2003) The decline and fall of the European film industry: sunk costs, market size and market structure, 1890-1927. Economic History Working Papers (70/03). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2005) The economic history of the international film industry. Eh.Net.

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2007) The evolution of entertainment consumption and the emergence of cinema 1890-1940. Advances in Austrian Economics, 10. pp. 93-137. ISSN 1529-2134

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2007) The evolution of entertainment consumption and the emergence of cinema, 1890-1940. Economic History Working Papers (102/07). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben ORCID: 0000-0001-6109-0693 (2012) The quality race: feature films and market dominance in the United States and Europe in the 1910s. In: Neal, Steve, (ed.) The Classical Hollywood Reader. Routledge, London. ISBN 9780415576727

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2014) Bollywood horror as an uncanny public sphere: genre theories, postcolonial concepts, and the insightful audience. Communication, Culture & Critique, 7 (4). pp. 453-471. ISSN 1753-9129

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2016) Bollywood's periphery: child stars and representations of childhood in Hindi films. In: O'Connor, Jane and Mercer, John, (eds.) Childhood and Celebrity. Routledge, London, UK. ISBN 9781138855274 (Submitted)

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2007) Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances. In: Bharat, Meenakshi and Kumar, Nirmal, (eds.) Filming the Line of Control: the Indo–pak Relationship Through the Cinematic Lens. Routledge, Oxford, UK. ISBN 9780415460941

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2022) Postkolonyal korku ve Çeperlerdeki canavarlar. Altyazi, 218.

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2002) Private lives and public spaces: the precarious pleasures of gender discourse in Raja Hindustani. Women: a Cultural Review, 13 (2). pp. 179-194. ISSN 0957-4042

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2006) 'Reading Bollywood': the young audience and Hindi films. Palgrave Macmillan, New York, US. ISBN 9780230001725

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2012) Remembering Yash Chopra’s complex and critical films. (31 Oct 2012). Website.

Banaji, Shakuntala ORCID: 0000-0002-9233-247X (2010) Seduced ‘outsiders’ versus sceptical ‘insiders’?: Slumdog Millionaire through its re/viewers. Participations: Journal of Audience and Reception Studies, 7 (1). pp. 1-24. ISSN 1749-8716

Banaji, Shakuntala ORCID: 0000-0002-9233-247X and Masrani, Rahoul (2023) Bollywood’s London: the moral-political undertow of London’s Hindi cinema presence. In: Wagner, Keith B. and Lack, Roland-François, (eds.) Global London on Screen: Visitors, Cosmopolitans and Migratory Cinematic Visions of a Superdiverse City. Manchester University Press, Manchester, UK, 107 - 123. ISBN 9781526157560

Barkawi, Tarak ORCID: 0000-0001-5526-5055 (2014) Tarak Barkawi: The Globalisation of the Hollywood War Film. LSE International Relations Blog (01 Apr 2014). Website.

Basta, Karlo (2012) In the land of blood and honey, or how Angelina Jolie adopted Bosnia. International Affairs at LSE (20 Mar 2012). Website.

Beckett, Charlie (2007) Kids TV: let them watch foreign crap? POLIS: journalism and society at the LSE (03 Oct 2007). Website.

Beckett, Charlie (2007) Lives of others. POLIS: journalism and society at the LSE (07 May 2007). Website.

Beckett, Charlie (2008) Time to garage the road movies? POLIS: journalism and society at the LSE (14 Oct 2008). Website.

Beckett, Charlie (2007) The trap is sprung. POLIS: journalism and society at the LSE (26 Mar 2007). Website.

Black, Megan (2019) Scene/unseen: mining for the treasure of the Sierra Madre’s critique of American capitalist exploitation in Mexico. Modern American History, 2 (1). pp. 23-47. ISSN 2515-0456

Blum-Ross, Alicia (2005) Adding spice: collaborative video as an intersection between institutions and refugees in Dadaab, Kenya. . The Communication Initiative.

Blum-Ross, Alicia (2013) Authentic representations? Ethical quandaries in participatory filmmaking with young people. In: te Riele, Kitty and Brooks, Rachel, (eds.) Negotiating Ethical Challenges in Youth Research. Critical youth studies. Routledge, London, UK, pp. 55-68. ISBN 9780415808477

Blum-Ross, Alicia (2015) Filmmakers/educators/facilitators? Understanding the role of adult intermediaries in youth media production in the UK and the USA. Journal of Children and Media, 9 (3). pp. 308-324. ISSN 1748-2798

Blum-Ross, Alicia (2013) “It made our eyes get bigger”: youth filmmaking and place-making in East London. Visual Anthropology Review, 29 (2). pp. 89-106. ISSN 1548-7458

Blum-Ross, Alicia (2007) Journey times: a teaching resource for exploring travel and transport through documentary film. . Transport for London, London, UK.

Blum-Ross, Alicia (2006) Reality bites: a teaching resource for viewing films about food and consumption. British Film Institute, London, UK.

Blum-Ross, Alicia (2007) Teaching resource: viewing ‘Persepolis’ by Marjane Satrapi and Vincent Paronnaud. British Film Institute, London, UK.

Blum-Ross, Alicia (2017) The filmmakers of tomorrow or the problems of today: creativity, skills and cultural identity in British youth filmmaking. In: Malik, S., Chapain, C. and Comunian, R., (eds.) Community Filmmaking: Diversity, Practices and Places. Routledge, New York, USA. ISBN 9781138188068

Blum-Ross, Alicia and Blum, Carolyn Patty (2009) Film. In: Forsythe, David P., (ed.) Encyclopedia of Human Rights. Oxford University Press (U.S.). ISBN 9780195334029

Bown, Alfie (2016) Book review: create or die: essays on the artistry of Dennis Hopper by Stephen Lee Naish. LSE Review of Books (16 Sep 2016). Website.

Buzan, Barry (2010) America in space: the international relations of Star Trek and Battlestar Galactica. Millennium: Journal of International Studies, 39 (1). pp. 175-180. ISSN 0305-8298

C

Caballero, Lila (2014) We need to talk about Europe. Euro Crisis in the Press (07 May 2014). Website.

Cabi, Marouf (2024) The visual narratives of the 1979 Iranian Revolution. Middle East Critique. ISSN 1943-6149

Cayli, Eray ORCID: 0000-0001-8113-0349 (2014) Toñita’s: close-up and social. m-est.org (01 Jun 2014). Blog Entry.

Celik Rappas, Ipek (2017) Book review: French-language road cinema: borders, diasporas, migration and 'New Europe' by Michael Gott. LSE Review of Books (28 Jul 2017). Website.

Chelotti, Nicola (2015) On movies, matrices and scope: some remarks on PTJ's keynote. Millennium: Journal of International Studies, 43 (3). pp. 980-983. ISSN 0305-8298

Chesterton, Fiona (2014) Book review: The documentary film book edited by Brian Winston. LSE Review of Books (23 Jan 2014). Website.

Chouliaraki, Lilie ORCID: 0000-0002-5683-4691 (2012) Re-mediation, inter-mediation, trans-mediation. Journalism Studies, 14 (2). pp. 267-283. ISSN 1461-670X

Clark, Dulma and Kendall, Lily (2014) Interview: Dulma Clark of Soul Rebel Films. LSE Human Rights Blog (02 Jul 2014). Website.

D

Daniel, Ronda (2016) Should sociologists care about #OscarsSoWhite? Researching Sociology (20 Jan 2016). Website.

Draper, Tom (2020) Book review: In fading light: the films of the Amber Collective by James Leggott. LSE Review of Books (25 Jun 2020). Blog Entry.

Draper, Tom (2021) Book review: V.F. Perkins on movies: collected shorter film criticism edited by Douglas Pye. LSE Review of Books (05 Feb 2021). Blog Entry.

F

Frigg, Roman ORCID: 0000-0003-0812-0907 and Nguyen, James (2017) Of barrels and pipes: representation - as in art and science. In: Bueno, Otávio, Darby, Gerorge, French, Steven and Rickles, Dean, (eds.) Thinking about Science, Reflecting on Art. Routledge, London, UK.

G

Georgieva, Stasi (2012) From Pyscho to YouTube: how a generation lost the ability to be shocked (guest blog). POLIS: journalism and society at the LSE (19 Jul 2012). Website.

Gong, James Jianxin, Van der Stede, Wim A. ORCID: 0000-0003-3005-2410 and Young, S. Mark (2011) Real options in the motion picture industry: evidence from film marketing and sequels. Contemporary Accounting Research, 28 (5). pp. 1438-1466. ISSN 0823-9150

Gornostaeva, Galina (2007) Face-to-face interactions along the production chain and across networks: a study of film and television industry in London. International Journal of Technology, Knowledge, and Society, 6 (7). pp. 45-54. ISSN 1832-3669

Gornostaeva, Galina (2008) The film and television industry in London’s suburbs: lifestyle of the rich or losers’ retreat? Creative Industries Journal, 1 (1). pp. 47-71. ISSN 1751-0694

Gornostaeva, Galina and Cheshire, Paul (2003) Media cluster in London. Les Cahiers de l'Institut d'Aménagement et d'Urbanisme de la Région d'Île-de-France, 135 (4). pp. 151-160. ISSN 0153-6184

Gornostaeva, Galina and Pratt, Andy C. (2006) Digitisation and face-to-face interactions: the example of the film industry in London. International Journal of Technology, Knowledge, and Society, 1 (3). pp. 101-108. ISSN 1832-3669

Griffith, J. A. G. (1973) Letter to the editor: BBC discussion on Warhol film. Times (05 Feb 1973). Website.

H

Habib, Laleh (2013) Indian cinema and the politics of national belonging. South Asia @ LSE (23 Dec 2013). Website.

Hölsgens, Sander (2021) Book review: Expanded visions: a new anthropology of the moving image by Arnd Schneider. LSE Review of Books (23 Jul 2021). Blog Entry.

Hölsgens, Sander (2021) Book review: Expanded visions: a new anthropology of the moving image by Arnd Schneider. USApp – American Politics and Policy Blog (25 Jul 2021). Blog Entry.

Hölsgens, Sander (2020) Book review: Muddied Waters: the fictionalisation of ethnographic film by Toni de Bromhead. Impact of Social Sciences Blog (07 Jun 2020). Blog Entry.

Hölsgens, Sander (2020) Book review: Muddied waters: the Fictionalisation of Ethnographic Film by Toni de Bromhead. USApp – American Politics and Policy Blog (10 May 2020). Blog Entry.

Hölsgens, Sander (2020) Book review: muddied waters: the fictionalisation of ethnographic film by Toni de Bromhead. LSE Review of Books (28 Apr 2020). Blog Entry.

Hölsgens, Sander (2016) Book review: slow cinema edited by Tiago de Luca and Nuno Barradas Jorge. LSE Review of Books (19 Feb 2016). Website.

I

Introna, Lucas D., Moore, Hope and Cushman, Mike (1999) The virtual organisation - technical or social innovation?: lessons from the film industry. Working paper series (72). Department of Information Systems, London School of Economics and Political Science, London, UK.

Ito-Jaeger, Sachiyo, Perez Vallejos, Elvira, Curran, Thomas ORCID: 0000-0003-2443-5079 and Crawford, Paul (2022) What's up with everyone? A qualitative study on young people's perceptions of cocreated online animations to promote mental health literacy. Health Expectations, 25 (4). 1633 - 1642. ISSN 1369-6513

J

Jenco, Leigh K. ORCID: 0000-0001-7249-7843 (2024) What can a science fiction blockbuster teach us about China's worldview? Department of Government (22 Apr 2024). Blog Entry.

K

Killen, Kimberly (2012) The pains of rendering The Iron Lady ‘palatable’. Engenderings (09 Feb 2012). Website.

Krishnakumar, Pooja (jo) ORCID: 0000-0003-0125-171X (2021) Book review: Independent filmmaking in Southeast Asia: conversations with filmmakers on building, and sustaining a creative career. Media Practice and Education, 22 (3). 253 - 254. ISSN 2574-1136

L

Lewis, David ORCID: 0000-0003-0732-9020, Rodgers, Dennis and Woolcock, Michael (2013) The projection of development: cinematic representation as a(nother) source of authoritative knowledge? The Journal of Development Studies, 49 (3). pp. 383-397. ISSN 0022-0388

Livingstone, Sonia ORCID: 0000-0002-3248-9862 (1987) The Implicit representation of characters in Dallas. Human Communication Research, 13 (3). pp. 399-420. ISSN 0360-3989

Livingstone, Sonia ORCID: 0000-0002-3248-9862 (1989) Interpretive viewers and structured programs: the implicit representation of soap opera characters. Communication Research, 16 (1). pp. 25-57. ISSN 0093-6502

Luther, Daniel (2021) The Karan Johar playbook: the open secret, male same-sex sexuality, and the 'big-brand' in Bollywood. South Asian Popular Culture, 19 (2). 193 - 214. ISSN 1474-6689

M

Mansell, Robin ORCID: 0000-0003-3950-3468 (2021) The social dilemma: a contradictory narrative about platform power. Political Economy of Communication, 8 (2). pp. 81-87. ISSN 2357-1705

Mansell, Robin ORCID: 0000-0003-3950-3468 and Plantin, Jean-Christophe ORCID: 0000-0001-8041-6679 (2020) Urban futures with 5G: British press reporting. . Media@LSE, Department of Media and Communications, London School of Economics and Political Science, London, UK.

Meng, Bingchun (2012) Underdetermined globalization: media consumption via P2P networks. International Journal of Communication, 6. pp. 467-483. ISSN 1932-8036

N

Nowell-Smith, Geoffrey (2016) Book review: the rise and fall of the UK Film Council by Gillian Doyle, Philip Schlesinger, Raymond Boyle and Lisa W. Kelly. LSE Review of Books (08 Jan 2016). Website.

Nwonka, Clive James (2020) Diversity and data: an ontology of race and ethnicity in the British Film Institute’s diversity standards. Media, Culture & Society. ISSN 0163-4437

Nwonka, Clive James (2021) Policing black film: racism, black resistance and the applicational dexterity of race relations in Babylon. Sociology, 55 (4). 840 - 862. ISSN 0038-0385

Nwonka, Clive James (2020) Race and ethnicity in the UK film industry: an analysis of the BFI diversity standards. . London School of Economics and Political Science, London, UK.

Nwonka, Clive James (2021) White women, white men, and intra-racial diversity: a data-led analysis of gender representation in the UK film industry. Cultural Sociology, 15 (3). 430 - 454. ISSN 1749-9755

Nwonka, Clive James (2022) The black neoliberal aesthetic. European Journal of Cultural Studies, 25 (3). 843 - 862. ISSN 1367-5494

Nwonka, Clive James and Gilson, Chris (2020) Coming soon: the politics of race in American film podcast with Dr. Clive James Nwonka. USApp – American Politics and Policy Blog (28 Dec 2020). Blog Entry.

Nwonka, Clive James and Malik, Sarita (2018) Cultural discourses and practices of institutionalised diversity in the UK film sector: ‘Just get something black made’. The Sociological Review, 66 (6). pp. 1111-1127. ISSN 1467-954X

P

Pratt, Andy C. (2007) 'Imagination can be a damned curse in this country': Material geographies of filmmaking and the rural. In: Fish, Robert, (ed.) Cinematic Countrysides. Manchester University Press, Manchester, UK, pp. 127-146. ISBN 978-0719072666

Pratt, Andy C., Gill, Rosalind and Spelthann, Volker (2007) Work and the city in the e-society: a critical investigation of the sociospatially situated character of economic production in the digital content industries in the UK. Information, Communication and Society, 10 (6). pp. 922-942. ISSN 1369-118X

R

Rantanen, Terhi ORCID: 0000-0002-5345-6699 (1986) Sähkösanomatoimistosta tietotoimistoon [From telegraph agency to news agency]. In: Halila, A. and Rommi, P., (eds.) Suomen Historia [Finnish History]. Weilin + Göös, Helsinki, Finland. ISBN 9513524892

S

Scalvini, Marco (2006) Bareback movies: men, fantasies and semen exchange. In: XVI International AIDS Conference, 2006, 2006-08-13 - 2006-08-18, Toronto, Canada, CAN. (Submitted)

Scalvini, Marco (2020) The ethics of creating controversial media content: exploring the moral responsibilities of producers. Parenting for a Digital Future (22 Jul 2020). Blog Entry.

Schomerus, Mareike, Allen, Tim ORCID: 0000-0003-1866-0181 and Vlassenroot, Koen (2012) KONY 2012 and the prospects for change. Foreign Affairs (13 Mar 2012). Website.

Seckinelgin, Hakan ORCID: 0000-0002-0286-8618 (2023) Institutional denialism as public policy: using films as a tool to deny the Armenian genocide in Turkey. Ethnic and Racial Studies, 46 (12). 2677 - 2697. ISSN 0141-9870

Shepherd, Tamara (2009) "Rotten Tomatoes" in the field of popular cultural production. Canadian Journal of Film Studies, 18 (2). pp. 26-44. ISSN 0847-5911

Silver, Gregory Mead (2010) Economic effects of vertical disintegration: the American motion picture industry, 1945 to 1955. Economic History Working Papers (149/10). Department of Economic History, London School of Economics and Political Science, London, UK.

South Asia, LSE (2012) Seeing Mumbai: media portrayals of cities in the Global South. (02 Jul 2012). Website.

T

Tartir, Alaa (2015) The Wanted 18 cows, economic resistance, and Israel. The WorldPost.

W

Wearing, Sadie ORCID: 0000-0002-8480-4895 (2006) Adapting age: representing generations in Iris. In: Screen Studies Conference, 2006-06-30 - 2006-07-02, Glasgow, United Kingdom, GBR. (Submitted)

Wearing, Sadie ORCID: 0000-0002-8480-4895 (2005) Age and sexuality in celebrity culture: the case of Helen Mirren (57). In: Celebrity Culture Conference, 2005-09-12 - 2005-09-14, Ayr, United Kingdom, GBR. (Submitted)

Wearing, Sadie ORCID: 0000-0002-8480-4895 (2013) Dementia and the biopolitics of the biopic: from Iris to The Iron Lady. Dementia, 12 (3). pp. 315-325. ISSN 1471-3012

Wearing, Sadie ORCID: 0000-0002-8480-4895 (2012) Exemplary or exceptional embodiment?: discourses of aging in the case of Helen Mirren and 'Calendar girls'. In: Dolan, Josephine and Tincknell, Estella, (eds.) Ageing Femininities: Troubling Representations. Cambridge Scholars Press, Cambridge, UK. ISBN 9781443838832

Wearing, Sadie ORCID: 0000-0002-8480-4895 (2023) Frames of dementia, grieving otherwise in The Father, Relic and Supernova: representing dementia in recent film. In: Ward, Richard and Sandberg, Linn J., (eds.) Critical Dementia Studies: An Introduction. Dementia in Critical Dialogue. Routledge, Abingdon, UK, 100 - 115. ISBN 9781032118802

Wearing, Sadie ORCID: 0000-0002-8480-4895 (2021) I am not particularly despondent yet: the political tone of Jill Craigie’s equal pay film to be a woman. Journal of British Cinema and Television, 18 (4). pp. 423-441. ISSN 1743-4521

Wearing, Sadie ORCID: 0000-0002-8480-4895 (2007) Notes on some scandals: shame and transgenerational sex in recent cinema. In: Ageing Femininities: Representation, Identities, Feminism, 2007-10-06, Bristol, United Kingdom, GBR. (Submitted)

Wearing, Sadie ORCID: 0000-0002-8480-4895 (2011) Notes on some scandals: the politics of shame in 'Vers le sud’. In: Gill, Rosalind and Scharff, Christina, (eds.) New Femininities: Postfeminism, Neoliberalism and Identity. Palgrave Macmillan, Houndmills, UK, pp. 173-187. ISBN 9780230223349

Williams, Katherine (2018) Book review: screening Stephen King: adaptation and the horror genre in film and television by Simon Brown. LSE Review of Books (31 Aug 2018). Website.

Y

Young, M, Gong, J and Van der Stede, Wim A. ORCID: 0000-0003-3005-2410 (2009) Value creation and the possibilities for management accounting research in entertainment: the U.S. motion picture industry. In: Chapman, Christopher S, Hopwood, Anthony G and Shields, Michael D, (eds.) Handbook of Management Accounting Research. Elsevier Science (Firm), Oxford, UK, pp. 1337-1352. ISBN 9780080554501

Young, S. Mark, Gong, James J. and Van der Stede, Wim A. ORCID: 0000-0003-3005-2410 (2010) The business of making money with movies. Strategic Finance, Feb. pp. 35-40. ISSN 1524-833X

Z

Zwi, Daniel (2016) Book review: writing for hire: unions, Hollywood and Madison Avenue by Catherine Fisk. LSE Review of Books (25 Nov 2016). Website.