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Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"

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Number of items at this level: 97.


Bakker, Gerben (2000) America's master: the decline and fall of the European film industry in the United States. In: Passerini, L, (ed.) Across the Atlantic. Presses inter-universitaires Europeennes, Brussels, pp. 213-240.

Bakker, Gerben (2000) American dreams: the European film industry from dominance to decline. EUI Review (Summer). pp. 28-36. ISSN 1814-8182

Bakker, Gerben (2004) At the origins of increased productivity growth in services. Productivity, social savings and the consumer surplus of the film industry, 1900-1938. Economic History Working Papers (81/04). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben (2010) Bedrijfsstrategieën, overheidsbeleid en de Europese filmmarkt tijdens het Interbellum. Tijdschrift Voor Mediageschiedenis, 2. pp. 13-36. ISSN 1387-649X

Bakker, Gerben (2003) Between Europe and America: the battle for silent film. . London School of Economics and Political Science, London, UK.

Bakker, Gerben (2003) Book review: Hollywood's film wars with France: film-trade diplomacy and the emergence of the French film quota policy. Business History, 45 (1). pp. 182-183. ISSN 0007-6791

Bakker, Gerben (2001) Book review: In het wereldfilmstelsel: identiteit en organisatie van de Nederlandse film sedert 1945. Bijdragen En Mededelingen Betreffende de Geschiedenis der Nederlanden, 116. pp. 429-431. ISSN 0165-0505

Bakker, Gerben (2002) Book review: engulfed: the death of Paramount Pictures and the birth of corporate Hollywood. Business History, 44 (3). pp. 146-147. ISSN 0007-6791

Bakker, Gerben (2011) Book review: from betamax to blockbuster: video stores and the invention of movies on video. Business History, 53 (3). pp. 472-474. ISSN 0007-6791

Bakker, Gerben (2010) Book review: networks of entertainment: early film distribution, 1895-1915. Business History Review, 84 (1). pp. 172-174. ISSN 0007-6805

Bakker, Gerben (2007) Book review: the entertainment industry. Eh.Net, Online.

Bakker, Gerben (2001) Book review: the red rooster scare: making cinema American, 1900-1910. Business History, 43 (3). pp. 160-161. ISSN 0007-6791

Bakker, Gerben (2001) Book review: the second century of cinema: the past and future of the moving image. Business History, 43 (1). pp. 161-162. ISSN 0007-6791

Bakker, Gerben (2003) Entertainment industrialised: the emergence of the international film industry 1890-1940. Enterprise and Society, 4 (4). pp. 579-585. ISSN 1467-2227

Bakker, Gerben (2012) How motion pictures industrialized entertainment. Journal of Economic History, 72 (4). pp. 1036-1063. ISSN 0022-0507

Bakker, Gerben (2001) Richard E. Caves. Creative Industries: Contracts between Art and Commerce. Cambridge, Mass.:Harvard University Press, 2000. ix 454 pp. ISBN 0-674-00164-8, $45.00. - Lary May. The Big Tomorrow: Hollywood and the Politics of the American Way. Chicago:University of Chicago Press, 2000. xvi 348 pp. ISBN 0-226-51162-6, $32.50. Enterprise and Society, 2 (2). pp. 392-395. ISSN 1467-2227

Bakker, Gerben (2007) Structural change and the growth contribution of services: how motion pictures industrialized US spectator entertainment. Economic History Working Papers (104/07). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben (2009) Time and productivity growth in services: how motion pictures industrialized entertainment. Economic History Working Papers (119/09). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben (2012) Trade Follows the Film: Europe versus Hollywood in the Interwar Years. In: Eisenberg, Christiane and Gestrich, Andreas, (eds.) Cultural Industries in Britain and Germany: Sport, Music and Entertainment From the Eighteenth to the Twentieth Century. Wißner-Verlag, Augsburg, pp. 139-155. ISBN 978-3-89639-865-9

Bakker, Gerben (2003) The decline and fall of the European film industry: sunk costs, market size and market structure, 1890-1927. Economic History Working Papers (70/03). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben (2005) The economic history of the international film industry. Eh.Net.

Bakker, Gerben (2007) The evolution of entertainment consumption and the emergence of cinema 1890-1940. Advances in Austrian Economics, 10. pp. 93-137. ISSN 1529-2134

Bakker, Gerben (2007) The evolution of entertainment consumption and the emergence of cinema, 1890-1940. Economic History Working Papers (102/07). Department of Economic History, London School of Economics and Political Science, London, UK.

Bakker, Gerben (2012) The quality race: feature films and market dominance in the United States and Europe in the 1910s. In: Neal, Steve, (ed.) The Classical Hollywood Reader. Routledge, London. ISBN 9780415576727

Banaji, Shakuntala (2014) Bollywood horror as an uncanny public sphere: genre theories, postcolonial concepts, and the insightful audience. Communication, Culture and Critique, 7 (4). pp. 453-471. ISSN 1753-9129

Banaji, Shakuntala (2016) Bollywood's periphery: child stars and representations of childhood in Hindi films. In: O'Connor, Jane and Mercer, John, (eds.) Childhood and Celebrity. Routledge, London, UK. ISBN 9781138855274 (Submitted)

Banaji, Shakuntala (2007) Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances. In: Bharat, Meenakshi and Kumar, Nirmal, (eds.) Filming the Line of Control: the Indo–pak Relationship Through the Cinematic Lens. Routledge, Oxford, UK. ISBN 9780415460941

Banaji, Shakuntala (2002) Private lives and public spaces: the precarious pleasures of gender discourse in Raja Hindustani. Women: a Cultural Review, 13 (2). pp. 179-194. ISSN 0957-4042

Banaji, Shakuntala (2006) 'Reading Bollywood': the young audience and Hindi films. Palgrave Macmillan, New York, US. ISBN 9780230001725

Banaji, Shakuntala (2012) Remembering Yash Chopra’s complex and critical films. South Asia @ LSE (31 Oct 2012). Website.

Banaji, Shakuntala (2010) Seduced ‘outsiders’ versus sceptical ‘insiders’?: Slumdog Millionaire through its re/viewers. Participations: Journal of Audience and Reception Studies, 7 (1). pp. 1-24. ISSN 1749-8716

Barkawi, Tarak (2014) Tarak Barkawi: The Globalisation of the Hollywood War Film. LSE International Relations Blog (01 Apr 2014). Website.

Basta, Karlo (2012) In the land of blood and honey, or how Angelina Jolie adopted Bosnia. International Affairs at LSE (20 Mar 2012). Website.

Beckett, Charlie (2007) Kids TV: let them watch foreign crap? POLIS: journalism and society at the LSE (03 Oct 2007). Website.

Beckett, Charlie (2007) Lives of others. POLIS: journalism and society at the LSE (07 May 2007). Website.

Beckett, Charlie (2008) Time to garage the road movies? POLIS: journalism and society at the LSE (14 Oct 2008). Website.

Beckett, Charlie (2007) The trap is sprung. POLIS: journalism and society at the LSE (26 Mar 2007). Website.

Black, Megan (2019) Scene/unseen: mining for the treasure of the Sierra Madre’s critique of American capitalist exploitation in Mexico. Modern American History, 2 (1). pp. 23-47. ISSN 2515-0456

Blum-Ross, Alicia (2005) Adding spice: collaborative video as an intersection between institutions and refugees in Dadaab, Kenya. . The Communication Initiative.

Blum-Ross, Alicia (2013) Authentic representations? Ethical quandaries in participatory filmmaking with young people. In: te Riele, Kitty and Brooks, Rachel, (eds.) Negotiating Ethical Challenges in Youth Research. Critical youth studies. Routledge, London, UK, pp. 55-68. ISBN 9780415808477

Blum-Ross, Alicia (2015) Filmmakers/educators/facilitators? Understanding the role of adult intermediaries in youth media production in the UK and the USA. Journal of Children and Media, 9 (3). pp. 308-324. ISSN 1748-2798

Blum-Ross, Alicia (2013) “It made our eyes get bigger”: youth filmmaking and place-making in East London. Visual Anthropology Review, 29 (2). pp. 89-106. ISSN 1548-7458

Blum-Ross, Alicia (2007) Journey times: a teaching resource for exploring travel and transport through documentary film. . Transport for London, London, UK.

Blum-Ross, Alicia (2006) Reality bites: a teaching resource for viewing films about food and consumption. British Film Institute, London, UK.

Blum-Ross, Alicia (2007) Teaching resource: viewing ‘Persepolis’ by Marjane Satrapi and Vincent Paronnaud. British Film Institute, London, UK.

Blum-Ross, Alicia (2017) The filmmakers of tomorrow or the problems of today: creativity, skills and cultural identity in British youth filmmaking. In: Malik, S., Chapain, C. and Comunian, R., (eds.) Community Filmmaking: Diversity, Practices and Places. Routledge, New York, USA. ISBN 9781138188068

Blum-Ross, Alicia and Blum, Carolyn Patty (2009) Film. In: Forsythe, David P., (ed.) Encyclopedia of Human Rights. Oxford University Press USA. ISBN 9780195334029

Bown, Alfie (2016) Book review: create or die: essays on the artistry of Dennis Hopper by Stephen Lee Naish. LSE Review of Books (16 Sep 2016). Website.

Buzan, Barry (2010) America in space: the international relations of Star Trek and Battlestar Galactica. Millennium: Journal of International Studies, 39 (1). pp. 175-180. ISSN 0305-8298


Caballero, Lila (2014) We need to talk about Europe. Euro Crisis in the Press (07 May 2014). Website.

Cayli, Eray (2014) Toñita’s: close-up and social. (01 Jun 2014). Blog Entry.

Celik Rappas, Ipek (2017) Book review: French-language road cinema: borders, diasporas, migration and 'New Europe' by Michael Gott. LSE Review of Books (28 Jul 2017). Website.

Chelotti, Nicola (2015) On movies, matrices and scope: some remarks on PTJ's keynote. Millennium: Journal of International Studies, 43 (3). pp. 980-983. ISSN 0305-8298

Chesterton, Fiona (2014) Book review: The documentary film book edited by Brian Winston. LSE Review of Books (23 Jan 2014). Website.

Chouliaraki, Lilie (2012) Re-mediation, inter-mediation, trans-mediation. Journalism Studies, 14 (2). pp. 267-283. ISSN 1461-670X

Clark, Dulma and Kendall, Lily (2014) Interview: Dulma Clark of Soul Rebel Films. LSE Human Rights Blog (02 Jul 2014). Website.


Daniel, Ronda (2016) Should sociologists care about #OscarsSoWhite? Researching Sociology (20 Jan 2016). Website.


Frigg, Roman and Nguyen, James (2017) Of barrels and pipes: representation - as in art and science. In: Bueno, Otávio, Darby, Gerorge, French, Steven and Rickles, Dean, (eds.) Thinking about Science, Reflecting on Art. Routledge, London, UK.


Georgieva, Stasi (2012) From Pyscho to YouTube: how a generation lost the ability to be shocked (guest blog). POLIS: journalism and society at the LSE (19 Jul 2012). Website.

Gong, James Jianxin, Van der Stede, Wim A. and Young, S. Mark (2011) Real options in the motion picture industry: evidence from film marketing and sequels. Contemporary Accounting Research, 28 (5). pp. 1438-1466. ISSN 0823-9150

Gornostaeva, Galina (2007) Face-to-face interactions along the production chain and across networks: a study of film and television industry in London. International Journal of Technology, Knowledge, and Society, 6 (7). pp. 45-54. ISSN 1832-3669

Gornostaeva, Galina (2008) The film and television industry in London’s suburbs: lifestyle of the rich or losers’ retreat? Creative Industries Journal, 1 (1). pp. 47-71. ISSN 1751-0694

Gornostaeva, Galina and Cheshire, Paul (2003) Media cluster in London. Les Cahiers de L'institut d'amenagement et d'urbanisme de la Region d'ile de France, 135 (4). pp. 151-160. ISSN 0153-6184

Gornostaeva, Galina and Pratt, Andy C. (2006) Digitisation and face-to-face interactions: the example of the film industry in London. International Journal of Technology, Knowledge, and Society, 1 (3). pp. 101-108. ISSN 1832-3669

Griffith, J. A. G. (1973) Letter to the editor: BBC discussion on Warhol film. Times (05 Feb 1973). Website.


Habib, Laleh (2013) Indian cinema and the politics of national belonging. South Asia @ LSE (23 Dec 2013). Website.

Hölsgens, Sander (2020) Book review: Muddied waters: the Fictionalisation of Ethnographic Film by Toni de Bromhead. USApp – American Politics and Policy Blog (10 May 2020). Blog Entry.

Hölsgens, Sander (2020) Book review: muddied waters: the fictionalisation of ethnographic film by Toni de Bromhead. LSE Review of Books (28 Apr 2020). Blog Entry.

Hölsgens, Sander (2016) Book review: slow cinema edited by Tiago de Luca and Nuno Barradas Jorge. LSE Review of Books (19 Feb 2016). Website.


Introna, Lucas D., Moore, Hope and Cushman, Mike (1999) The virtual organisation - technical or social innovation?: lessons from the film industry. Working paper series (72). Department of Information Systems, London School of Economics and Political Science, London, UK.


Killen, Kimberly (2012) The pains of rendering The Iron Lady ‘palatable’. Engenderings (09 Feb 2012). Website.


Lewis, David, Rodgers, Dennis and Woolcock, Michael (2013) The projection of development: cinematic representation as a(nother) source of authoritative knowledge? Journal of Development Studies, 49 (3). pp. 383-397. ISSN 0022-0388

Livingstone, Sonia (1987) The Implicit representation of characters in Dallas. Human Communication Research, 13 (3). pp. 399-420. ISSN 0360-3989

Livingstone, Sonia (1989) Interpretive viewers and structured programs: the implicit representation of soap opera characters. Communication Research, 16 (1). pp. 25-57. ISSN 0093-6502


Meng, Bingchun (2012) Underdetermined globalization: media consumption via P2P networks. International Journal of Communication, 6. pp. 467-483. ISSN 1932-8036


Nowell-Smith, Geoffrey (2016) Book review: the rise and fall of the UK Film Council by Gillian Doyle, Philip Schlesinger, Raymond Boyle and Lisa W. Kelly. LSE Review of Books (08 Jan 2016). Website.

Nwonka, Clive James and Malik, Sarita (2018) Cultural discourses and practices of institutionalised diversity in the UK film sector: ‘Just get something black made’. The Sociological Review, 66 (6). pp. 1111-1127. ISSN 1467-954X


Pratt, Andy C. (2007) 'Imagination can be a damned curse in this country': Material geographies of filmmaking and the rural. In: Fish, Robert, (ed.) Cinematic Countrysides. Manchester University Press, Manchester, UK, pp. 127-146. ISBN 978-0719072666

Pratt, Andy C., Gill, Rosalind and Spelthann, Volker (2007) Work and the city in the e-society: a critical investigation of the sociospatially situated character of economic production in the digital content industries in the UK. Information, Communication and Society, 10 (6). pp. 922-942. ISSN 1369-118X


Rantanen, Terhi (1986) Sähkösanomatoimistosta tietotoimistoon [From telegraph agency to news agency]. In: Halila, A. and Rommi, P., (eds.) Suomen Historia [Finnish History]. Weilin & Göös, Helsinki, Finland. ISBN 9513524892


Scalvini, Marco (2006) Bareback movies: men, fantasies and semen exchange. In: XVI International AIDS Conference, 2006, 2006-08-13 - 2006-08-18. (Submitted)

Schomerus, Mareike, Allen, Tim and Vlassenroot, Koen (2012) KONY 2012 and the prospects for change. Foreign Affairs (13 Mar 2012). Website.

Shepherd, Tamara (2009) "Rotten Tomatoes" in the field of popular cultural production. Canadian Journal of Film Studies, 18 (2). pp. 26-44. ISSN 0847-5911

Silver, Gregory Mead (2010) Economic effects of vertical disintegration: the American motion picture industry, 1945 to 1955. Economic History Working Papers (149/10). Department of Economic History, London School of Economics and Political Science, London, UK.

South Asia, LSE (2012) Seeing Mumbai: media portrayals of cities in the Global South. South Asia @ LSE (02 Jul 2012). Website.


Tartir, Alaa (2015) The Wanted 18 cows, economic resistance, and Israel. The WorldPost.

Topinka, Robert (2017) What can Coronation Street tell us about politics? British Politics and Policy at LSE (23 Jan 2017). Website.


Wearing, Sadie (2006) Adapting age: representing generations in Iris. In: Screen Studies Conference, 2006-06-30 - 2006-07-02. (Submitted)

Wearing, Sadie (2005) Age and sexuality in celebrity culture: the case of Helen Mirren (57). In: Celebrity Culture Conference, 2005-09-12 - 2005-09-14. (Submitted)

Wearing, Sadie (2013) Dementia and the biopolitics of the biopic: from Iris to The Iron Lady. Dementia, 12 (3). pp. 315-325. ISSN 1471-3012

Wearing, Sadie (2012) Exemplary or exceptional embodiment?: discourses of aging in the case of Helen Mirren and 'Calendar girls'. In: Dolan, Josephine and Tincknell, Estella, (eds.) Ageing Femininities: Troubling Representations. Cambridge Scholars Press, Cambridge, UK. ISBN 9781443838832

Wearing, Sadie (2007) Notes on some scandals: shame and transgenerational sex in recent cinema. In: Ageing Femininities: Representation, Identities, Feminism, 2007-10-06. (Submitted)

Wearing, Sadie (2011) Notes on some scandals: the politics of shame in 'Vers le sud’. In: Gill, Rosalind and Scharff, Christina, (eds.) New Femininities: Postfeminism, Neoliberalism and Identity. Palgrave Macmillan, Houndmills, UK, pp. 173-187. ISBN 9780230223349

Williams, Katherine (2018) Book review: screening Stephen King: adaptation and the horror genre in film and television by Simon Brown. LSE Review of Books (31 Aug 2018). Website.


Young, M, Gong, J and Van der Stede, Wim (2009) Value creation and the possibilities for management accounting research in entertainment: the U.S. motion picture industry. In: Chapman, Christopher S, Hopwood, Anthony G and Shields, Michael D, (eds.) Handbook of Management Accounting Research. Elsevier Science, Oxford, UK, pp. 1337-1352. ISBN 9780080554501

Young, S. Mark, Gong, James J. and Van der Stede, Wim (2010) The business of making money with movies. Strategic Finance, Feb. pp. 35-40. ISSN 1524-833X


Zwi, Daniel (2016) Book review: writing for hire: unions, Hollywood and Madison Avenue by Catherine Fisk. LSE Review of Books (25 Nov 2016). Website.

This list was generated on Sun Jul 5 05:03:37 2020 BST.