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Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Number of items at this level: 28.


Barker, Meghanne ORCID: 0000-0003-3399-1675 (2021) From stage to page and back again: remediating Petrushka in early Soviet children's culture. Russian Review, 80 (3). 375 - 401. ISSN 1467-9434

Beckett, Charlie (2008) Can the media (or celebs) make you care? (A review:"Fram" at the NT). POLIS: journalism and society at the LSE (11 Apr 2008). Website.

Beckett, Charlie (2008) Classical war reporting. POLIS: journalism and society at the LSE (12 Jan 2008). Website.

Beckett, Charlie (2010) Getting a Handel on the truth: ‘Alcina’ in Vienna. POLIS: journalism and society at the LSE (21 Nov 2010). Website.

Beckett, Charlie (2011) Scandal! An 18th century drama of micro-blogging and super injunctions. POLIS: journalism and society at the LSE (21 May 2011). Website.

Beckett, Charlie (2008) The minotaur of Amstetten. POLIS: journalism and society at the LSE (04 May 2008). Website.

Bedell, Elaine (2021) Thursday night is the new Friday night: how the pandemic has changed the Southbank Centre. LSE COVID-19 Blog (03 Nov 2021). Blog Entry.

Bernard, Miriam (2013) Our age: Our stage. Social Care Evidence in Practice (28 May 2013). Website.


Charlton, Ed ORCID: 0000-0001-7563-9472 (2017) Apartheid acting out: trauma, confession and the melancholy of theatre in Yaël Farber's He Left Quietly. Theatre Research International, 42 (01). pp. 55-71. ISSN 0307-8833

Charlton, Ed ORCID: 0000-0001-7563-9472 (2015) From liberation to liberalization: Newtown, the Market Theatre, and Johannesburg's relics of meaning. Interventions: International Journal of Postcolonial Studies, 17 (6). pp. 826-838. ISSN 1369-801x


Daniel, Ronda (2016) Cathy come home: why it is still relevant 50 years on and why the world needs people like Ken Loach. Researching Sociology (02 Aug 2016). Website.


Entwistle, Joanne and Slater, Don ORCID: 0000-0002-4767-3187 (2014) Reassembling the cultural: fashion models, brands and the meaning of 'culture' after ANT. Journal of Cultural Economy, 7 (2). pp. 161-177. ISSN 1753-0350


Friedman, Sam (2014) The hidden tastemakers: comedy scouts as cultural brokers at the Edinburgh Festival Fringe. Poetics, 44. pp. 22-41. ISSN 0304-422X


Georgieva, Stasi (2012) From Pyscho to YouTube: how a generation lost the ability to be shocked (guest blog). POLIS: journalism and society at the LSE (19 Jul 2012). Website.

Greenberg, Jeremy (2014) Theatre review: Red Forest at the Young Vic. LSE Human Rights Blog (29 Jun 2014). Website.


Habib, Laleh (2014) Staging history: new play revisits Partition. South Asia @ LSE (24 Jan 2014). Website.

Hayhoe, Simon (2009) Theater by the blind. In: Burch, Susan, (ed.) Encyclopedia of American Disability History. Facts on File Library of American History. Infobase Publishing, New York, USA. ISBN 9780816070305


Long, Nicholas J. ORCID: 0000-0002-4088-1661 (2015) For a verbatim ethnography. In: Flynn, Alex and Tinius, Jonas, (eds.) Anthropology, theatre and development: the transformative potential of performance. Anthropology, change and development. Palgrave Macmillan, London, UK, pp. 305-333. ISBN 9781137350596


Manyozo, Linje (2002) Community theatre without community participation?: reflections on Development Support Communication Programs. Convergence, 35 (4). pp. 55-69. ISSN 0010-8146

Mcdonagh, Luke (2014) Gender trouble and copyright in the realm of theatre. Cardiff University School of Law and Politics Blog (02 Oct 2014). Blog Entry.

Micner, Tamara Felisa (2013) Book review: Trauma-tragedy: symptoms of contemporary performance. LSE Review of Books (02 Apr 2013). Website.

Mukhopadhyay, Aparajita (2021) Book review: The colonial public and the Parsi stage: the making of the theatre of empire (1853-1893) by Rashna Darius Nicholson. LSE Review of Books (06 Oct 2021). Blog Entry.


Polatinsky, Stefan and Hook, Derek (2008) On the ghostly father: Lacan on Hamlet. Psychoanalytic Review, 95 (3). pp. 359-385. ISSN 0033-2836


Sobolev, Olga (2016) J M Barrie and the ballets russes. International Journal of Comparative Literature and Translation Studies, 4 (1). pp. 17-22. ISSN 2202-9451

Sobolev, Olga and Wrenn, Angus (2012) The only hope of the world: George Bernard Shaw and Russia. Verlag Peter Lang, Bern, Switzerland. ISBN 9783034307451

South Asia, LSE (2012) Britain meets Bollywood: The Wah! Wah! Girls glitter at LSE’s Peacock Theatre. South Asia @ LSE (18 Jun 2012). Website.


Wearing, Sadie (2017) Troubled men: ageing, dementia and masculinity in contemporary British crime drama. Journal of British Cinema and Television, 14 (2). pp. 125-142. ISSN 1743-4521

Wrenn, Angus (2007) Long letters about Ford Madox Ford: Ford's after life in the work of Harold Pinter. In: Skinner, Paul, (ed.) Ford Madox Ford's Literary Contacts. International Ford Maddox Ford studies (6). Rodopi (Firm), Amsterdam, The Netherlands, pp. 225-236. ISBN 9789042022485

This list was generated on Wed May 22 04:08:34 2024 BST.