Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Barker, Meghanne ORCID: 0000-0003-3399-1675 (2021) From stage to page and back again: remediating Petrushka in early Soviet children's culture. Russian Review, 80 (3). 375 - 401. ISSN 0036-0341

Beckett, Charlie (2008) Can the media (or celebs) make you care? (A review:"Fram" at the NT). POLIS: journalism and society at the LSE (11 Apr 2008). Website.

Beckett, Charlie (2008) Classical war reporting. POLIS: journalism and society at the LSE (12 Jan 2008). Website.

Beckett, Charlie (2010) Getting a Handel on the truth: ‘Alcina’ in Vienna. POLIS: journalism and society at the LSE (21 Nov 2010). Website.

Beckett, Charlie (2011) Scandal! An 18th century drama of micro-blogging and super injunctions. POLIS: journalism and society at the LSE (21 May 2011). Website.

Beckett, Charlie (2008) The minotaur of Amstetten. POLIS: journalism and society at the LSE (04 May 2008). Website.

Bedell, Elaine (2021) Thursday night is the new Friday night: how the pandemic has changed the Southbank Centre. LSE COVID-19 Blog (03 Nov 2021). Blog Entry.

Bernard, Miriam (2013) Our age: Our stage. Social Care Evidence in Practice (28 May 2013). Website.

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Charlton, Ed ORCID: 0000-0001-7563-9472 (2017) Apartheid acting out: trauma, confession and the melancholy of theatre in Yaël Farber's He Left Quietly. Theatre Research International, 42 (01). pp. 55-71. ISSN 0307-8833

Charlton, Ed ORCID: 0000-0001-7563-9472 (2015) From liberation to liberalization: Newtown, the Market Theatre, and Johannesburg's relics of meaning. Interventions: International Journal of Postcolonial Studies, 17 (6). pp. 826-838. ISSN 1369-801X

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Daniel, Ronda (2016) Cathy come home: why it is still relevant 50 years on and why the world needs people like Ken Loach. Researching Sociology (02 Aug 2016). Website.

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Entwistle, Joanne and Slater, Don ORCID: 0000-0002-4767-3187 (2014) Reassembling the cultural: fashion models, brands and the meaning of 'culture' after ANT. Journal of Cultural Economy, 7 (2). pp. 161-177. ISSN 1753-0350

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Friedman, Sam ORCID: 0000-0003-0629-1761 (2014) The hidden tastemakers: comedy scouts as cultural brokers at the Edinburgh Festival Fringe. Poetics, 44. pp. 22-41. ISSN 0304-422X

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Georgieva, Stasi (2012) From Pyscho to YouTube: how a generation lost the ability to be shocked (guest blog). POLIS: journalism and society at the LSE (19 Jul 2012). Website.

Greenberg, Jeremy (2014) Theatre review: Red Forest at the Young Vic. LSE Human Rights Blog (29 Jun 2014). Website.

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Habib, Laleh (2014) Staging history: new play revisits Partition. South Asia @ LSE (24 Jan 2014). Website.

Hayhoe, Simon (2009) Theater by the blind. In: Burch, Susan, (ed.) Encyclopedia of American Disability History. Facts on File Library of American History. Infobase Publishing, New York, USA. ISBN 9780816070305

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Long, Nicholas J. ORCID: 0000-0002-4088-1661 (2015) For a verbatim ethnography. In: Flynn, Alex and Tinius, Jonas, (eds.) Anthropology, theatre and development: the transformative potential of performance. Anthropology, change and development. Palgrave Macmillan, London, UK, pp. 305-333. ISBN 9781137350596

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Manyozo, Linje (2002) Community theatre without community participation?: reflections on Development Support Communication Programs. Convergence, 35 (4). pp. 55-69. ISSN 0010-8146

Mcdonagh, Luke ORCID: 0000-0003-2085-5404 (2014) Gender trouble and copyright in the realm of theatre. Cardiff University School of Law and Politics Blog (02 Oct 2014). Blog Entry.

Micner, Tamara Felisa (2013) Book review: Trauma-tragedy: symptoms of contemporary performance. LSE Review of Books (02 Apr 2013). Website.

Mukhopadhyay, Aparajita (2021) Book review: The colonial public and the Parsi stage: the making of the theatre of empire (1853-1893) by Rashna Darius Nicholson. LSE Review of Books (06 Oct 2021). Blog Entry.

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Polatinsky, Stefan and Hook, Derek (2008) On the ghostly father: Lacan on Hamlet. Psychoanalytic Review, 95 (3). pp. 359-385. ISSN 0033-2836

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Sobolev, Olga (2016) J M Barrie and the ballets russes. International Journal of Comparative Literature and Translation Studies, 4 (1). pp. 17-22. ISSN 2202-9451

Sobolev, Olga and Wrenn, Angus (2012) The only hope of the world: George Bernard Shaw and Russia. Verlag Peter Lang, Bern, Switzerland. ISBN 9783034307451

South Asia, LSE (2012) Britain meets Bollywood: The Wah! Wah! Girls glitter at LSE’s Peacock Theatre. (18 Jun 2012). Website.

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Wearing, Sadie ORCID: 0000-0002-8480-4895 (2017) Troubled men: ageing, dementia and masculinity in contemporary British crime drama. Journal of British Cinema and Television, 14 (2). pp. 125-142. ISSN 1743-4521

Wrenn, Angus (2007) Long letters about Ford Madox Ford: Ford's after life in the work of Harold Pinter. In: Skinner, Paul, (ed.) Ford Madox Ford's Literary Contacts. International Ford Maddox Ford studies (6). Rodopi (Firm), Amsterdam, The Netherlands, pp. 225-236. ISBN 9789042022485