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Bakker, Gerben 
ORCID: 0000-0001-6109-0693
(2002)
Book review: painting outside the lines: patterns of creativity in modern art.
Enterprise and Society, 3 (4).
pp. 735-737.
ISSN 1467-2227
Bakker, Gerben ORCID: 0000-0001-6109-0693
(2001)
Richard E. Caves. Creative Industries: Contracts between Art and Commerce. Cambridge, Mass.:Harvard University Press, 2000. ix 454 pp. ISBN 0-674-00164-8, $45.00. - Lary May. The Big Tomorrow: Hollywood and the Politics of the American Way. Chicago:University of Chicago Press, 2000. xvi 348 pp. ISBN 0-226-51162-6, $32.50.
Enterprise and Society, 2 (2).
pp. 392-395.
ISSN 1467-2227
Mulcahy, Linda and Flessas, Tatiana ORCID: 0000-0003-1190-4999
(2016)
Limiting law: art in the street and street in the art.
Law, Culture and the Humanities.
ISSN 1743-8721
Pardo-Guerra, Juan Pablo (2011) How much for the Michelangelo?: valuation, commoditization and finitism in the secondary art market. Cultural Sociology, 5 (2). pp. 207-223. ISSN 1749-9755
Scott, Michael W. ORCID: 0000-0002-2301-6924
(2014)
Aquarelles de Léopold Verguet, île de Makira.
In: Mélandri, Magali and Revolon, Sandra, (eds.)
L'Éclat des ombres : L'Art en noir et blanc des Îles Salomon.
Coédition Musée du Quai Branly, Somogy éditions d'art, Paris, France, pp. 110-113.
ISBN 9782757208052
Ashraf, Lubna (2013) LSE arts: the world, so rich. South Asia @ LSE (04 Sep 2013). Website.
Garnsey, Eliza (2017) The justice of art at South Africa’s constitutional court. LSE Department of Government Blog (02 Mar 2017). Website.
Oosterlinck, Kim (2018) The French art market under the Nazi boot: looking for discreet assets. LSE Business Review (11 Jan 2018). Website.
Stock, Paul ORCID: 0000-0003-1777-9463
(2014)
Diverse maniere: Piranesi, fantasy and excess.
Criticks: the reviews website of British Society for Eighteenth-Century Studies
(28 Apr 2014).
Website.
Mulcahy, Linda (2014) Street art. LSE Research Festival 2014, The London School of Economics and Political Science. (Submitted)
