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Ashraf, Lubna (2013) LSE arts: the world, so rich. South Asia @ LSE (04 Sep 2013). Website.
    Bakker, Gerben 
ORCID: 0000-0001-6109-0693 
  
(2002)
Book review: painting outside the lines: patterns of creativity in modern art.
    Enterprise and Society, 3 (4).
     pp. 735-737.
     ISSN 1467-2227
  
  
    Bakker, Gerben 
ORCID: 0000-0001-6109-0693 
  
(2001)
Richard E. Caves. Creative Industries: Contracts between Art and Commerce. Cambridge, Mass.:Harvard University Press, 2000. ix 454 pp. ISBN 0-674-00164-8, $45.00. - Lary May. The Big Tomorrow: Hollywood and the Politics of the American Way. Chicago:University of Chicago Press, 2000. xvi 348 pp. ISBN 0-226-51162-6, $32.50.
    Enterprise and Society, 2 (2).
     pp. 392-395.
     ISSN 1467-2227
  
  
Garnsey, Eliza (2017) The justice of art at South Africa’s constitutional court. LSE Department of Government Blog (02 Mar 2017). Website.
Mulcahy, Linda (2014) Street art. LSE Research Festival 2014, The London School of Economics and Political Science. (Submitted)
    Mulcahy, Linda and Flessas, Tatiana 
ORCID: 0000-0003-1190-4999 
  
(2016)
Limiting law: art in the street and street in the art.
    Law, Culture and the Humanities.
    
     ISSN 1743-8721
  
  
Oosterlinck, Kim (2018) The French art market under the Nazi boot: looking for discreet assets. LSE Business Review (11 Jan 2018). Website.
Pardo-Guerra, Juan Pablo (2011) How much for the Michelangelo?: valuation, commoditization and finitism in the secondary art market. Cultural Sociology, 5 (2). pp. 207-223. ISSN 1749-9755
    Scott, Michael W. 
ORCID: 0000-0002-2301-6924 
  
(2014)
Aquarelles de Léopold Verguet, île de Makira.
    
      In: Mélandri, Magali and Revolon, Sandra, (eds.)
      L'Éclat des ombres : L'Art en noir et blanc des Îles Salomon.
    
    Coédition Musée du Quai Branly, Somogy éditions d'art, Paris, France, pp. 110-113.
     ISBN 9782757208052
  
  
    Stock, Paul 
ORCID: 0000-0003-1777-9463 
  
(2014)
Diverse maniere: Piranesi, fantasy and excess.
    Criticks Reviews.