Cookies?
Library Header Image
LSE Research Online LSE Library Services

Items where Subject is "M Music and Books on Music > M Music"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Creators | Item Type
Number of items at this level: 71.

Article

Accominotti, Fabien, Khan, Shamus R. and Storer, Adam (2018) How cultural capital emerged in Gilded Age America: musical purification and cross-class inclusion at the New York Philharmonic. American Journal of Sociology, 123 (6). pp. 1743-1783. ISSN 0002-9602

Al-Ghazzi, Omar (2014) The flow and entrapment of Syrian Jazira music. Jadaliyya.

Amoah, Michael (2004) Christian musical worship and 'hostility to the body': the medieval influence versus the Pentecostal revolution. Implicit religion, 7 (1). pp. 59-75. ISSN 1463-9955

Bakker, Gerben (2000) Book review: an international history of the recording industry. Business History, 42 (4). pp. 222-223. ISSN 0007-6791

Bakker, Gerben (2005) Book review: playback: from the victrola to MP3: 100 years of music, machines and money. Business History, 47 (2). p. 324. ISSN 0007-6791

Bakker, Gerben (2004) Book review: quarter notes and bank notes: the economics of music composition in the eighteenth and nineteenth centuries. Economic History Review, 57 (4). pp. 796-797. ISSN 0013-0117

Bakker, Gerben (2006) The making of a music multinational: Polygram's international businesses, 1945-1998. Business History Review, 80 (1). pp. 81-123. ISSN 0007-6805

Bieleninik, Łucja, Geretsegger, Monika, Mössler, Karin, Assmus, Jörg, Thompson, Grace, Gattino, Gustavo, Elefant, Cochavit, Gottfried, Tali, Igliozzi, Roberta, Muratori, Filippo, Suvini, Ferdinando, Kim, Jinah, Crawford, Mike J., Odell-Miller, Helen, Oldfield, Amelia, Casey, Orla, Finnemann, Johanna, Carpenter, John, Park, A-La, Grossi, Enzo and Gold, Christian (2017) Effects of improvisational music therapy vs enhanced standard care on symptom severity among children with autism spectrum disorder: the TIME-A randomized clinical trial. JAMA, 318 (6). pp. 525-535. ISSN 0098-7484

Borowiecki, Karol Jan and Kavetsos, Georgios (2015) In fatal pursuit of immortal fame: peer competition and early mortality of music composers. Social Science and Medicine, 134. pp. 30-42. ISSN 0277-9536

David-Guillou, Angèle (2009) Early musicians' unions in Britain, France, and the United States: on the possibilities and impossibilities of transnational militant transfers in an international industry. Labour History Review, 74 (3). pp. 288-304. ISSN 1745-8188

Daykin, Norma, Mansfield, Louise, Meads, Catherine, Julier, Guy, Tomlinson, Alan, Payne, Annette, Grigsby Duffy, Lily, Lane, Jack, D’Innocenzo, Giorgia, Burnett, Adele, Kay, Tess, Dolan, Paul, Testoni, Stefano and Victor, Christina (2018) What works for wellbeing? A systematic review of wellbeing outcomes for music and singing in adults. Perspectives in Public Health, 138 (1). pp. 39-46. ISSN 1757-9139

Feigenbaum, Anna (2005) Some guy designed this room I’m standing in: marking gender in press coverage of Ani DiFranco. Popular Music, 24 (1). pp. 37-56. ISSN 0261-1430

Georgiou, Myria ORCID: 0000-0001-8771-8469 (2008) “In the end, Germany will always resort to hot pants”: watching Europe singing, constructing the stereotype. Popular Communication, 6 (3). 141 -154. ISSN 1540-5702

Gusejnova, Dina (2016) Jazz anxiety and the European fear of cultural change: towards a transnational history of a political emotion. Cultural History, 5 (1). pp. 26-50. ISSN 2045-290X

James, Deborah (1990) Musical form and social history: research perspectives on black South African music. Radical History Review (46/47). pp. 309-319. ISSN 0163-6545

McNeill, Fraser G. and James, Deborah (2008) Singing songs of AIDS in Venda, South Africa: performance, pollution and ethnomusicology in a ‘neo-liberal’ setting. South African Music Studies, 28. pp. 1-30. ISSN 0258-509X

Mcdonagh, Luke T. (2012) Rearranging the roles of the performer and the composer in the music industry – the potential significance of Fisher v Brooker. Intellectual Property Quarterly, 2012 (1). 64 - 76. ISSN 1364-906X

Roy, Tirthankar (2019) Music and society in late colonial India: a study of Esraj in Gaya. Journal of Asian Studies, 79 (1). pp. 25-49. ISSN 0021-9118

Roy, Tirthankar (1998) Music as artisan tradition. Contributions to Indian Sociology, 32 (1). pp. 21-42. ISSN 0069-9667

Roy, Tirthankar (1994) A concept of Indian music. Journal of Indian Council of Philosophical Research. ISSN 0970-7794

Zaborowski, Rafal (2016) ‘Explode all our metaphors’ – on the potential of sound in media and audience studies. An interview with Martin Barker. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9 (2). ISSN 1755-9944

Zaborowski, Rafal (2016) Introduction: new approaches to audiences and their musics. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9 (2). ISSN 1755-9944

Zaborowski, Rafal (2012) Simple unchanging stories about things we already know’: Japanese youth and popular songs. Participations: Journal of Audience and Reception Studies, 9 (2). pp. 383-404. ISSN 1749-8716

Edited journal issue

Zaborowski, Rafal, ed. (2016) Audiences and their musics: new approaches. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 8 (3). ISSN 1755-9944

Book Section

Blanes, Ruy Llera (2004) “E nome da interdenominacionalidade: ligações transnacionais e “novas” práticas musicais entre os ciganos evangélicos portugueses". In: Machado, José, Pais de Brito, Joaquim and Vieira de Carvalho, Mário, (eds.) Sonoridades Luso-Afro-Brasileiras. Imprensa de Ciências Sociais, Porto, Portugal. ISBN 9789726711304

Brown, Chris (2010) Bob Dylan, Live Aid, and the politics of popular communitarianism. In: Brown, Chris, (ed.) Practical Judgement in International Political Theory: Selected Essays. Routledge, London, UK. ISBN 9780415564618

Hayhoe, Simon (2009) Blind Boys of Alabama. In: Burch, Susan, (ed.) Encyclopedia of American Disability History. Facts on File Library of American History. Infobase Publishing, New York, USA. ISBN 9780816070305

Long, Nicholas J. ORCID: 0000-0002-4088-1661 (2019) Who cares about Malay music--and why?: migrant musicality, Christian composition, backlash and boundaries in an Indonesian province made for Malays. In: Kartomi, Margaret J., (ed.) Performing the arts of Indonesia: Malay identity and politics in the, music, dance and theatre of the Riau Islands. NIAS Press, Copenhagen, Denmark, p. 20. ISBN 9788776942595

McNeill, Fraser G. (2008) ‘We sing about what we cannot talk about’: music as anthropological evidence in Venda, South Africa. In: Chau, Liana, High, Casey and Lau, Timm, (eds.) How Do We Know? Evidence, Ethnography, and the Making of Anthropological Knowledge. Cambridge Scholars Publishing, Newcastle-Upon-Tyne, UK, pp. 36-58. ISBN 9781847185815

Mcdonagh, Luke (2018) Protecting traditional music under copyright (and choosing not to enforce it. In: Bonadio, Enrico and Lucchi, Nicola, (eds.) Non conventional copyright: do new and atypical works deserve protection? Edward Elgar Publishing Ltd, Cheltenham, UK, pp. 151-173. ISBN 9781786434067

Pratt, Andy C. (2008) The music industry and it's potential role in local economic development: the case of Senegal. In: Barrowclough, D and Kozul-Wright, Z, (eds.) Creative Industries and Developing Countries: Voice, Choice and Economic Growth. Routledge studies in contemporary political economy. Routledge, Abingdon, UK, pp. 130-145. ISBN 9780203086704

Zaborowski, Rafal (2016) Hatsune Miku and Japanese virtual idols. In: Whiteley, Shelia and Rambarran, Shara, (eds.) The Oxford Handbook of Music and Virtuality. The Oxford handbook series. Oxford University Press, New York, USA. ISBN 9780199321285

Monograph

Bakker, Gerben (2012) Adopting the rights-based model: music multinationals and local music industries since 1945. Economic History Working Papers (170/12). Department of Economic History, London School of Economics and Political Science, London, UK.

Cammaerts, Bart (2010) From vinyl to one/zero and back to scratch: 
independent Belgian micro labels in search of an ever more elusive fan base. Media@LSE Electronic Working Paper Series (20). Department of Media and Communications, London School of Economics and Political Science, London, UK.

Clift, Stephen, Skingley, Ann, Page, Sonia, Stephens, Lizzi, Hurley, Sadie, Dickinson, John, Meadows, Steve, Levai, Irisz, Jackson, Anna, Sullivan, Roisin, Wren, Natalie, McDaid, David, Park, A-La, Azhar, Saleem, Baxter, Noel, Rozenthuler, Guillermo and Shah, Shilpa (2017) Singing for better breathing: findings from the Lambeth and Southwark singing and COPD project. . Sidney De Haan Research Centre for Arts and Health, Canterbury Christ Church University, Folkestone.

Kretschmer, Tobias and Peukert, Christian (2014) Video killed the radio star? Online music videos and digital music sales. CEP Discussion Papers (CEPDP1265). Centre for Economic Performance, London School of Economics and Political Science, London, UK.

Maghazei, Malihe (2014) Trends in contemporary conscious music in Iran. LSE Middle East Centre paper series (03). The London School of Economics and Political Science, London, UK.

Conference or Workshop Item

Bryant, Lucy (2019) Policing of live music in England and Wales. In: LSE Research Festival 2019, 2019-02-25 - 2019-03-02, London School of Economics.

Mbaye, Jenny F. (2010) Musical entrepreneurs in West Africa? In: Relating research to reality: interdisciplinary ideas for a changing world. LSE PhD student poster exhibition, 2010-05-26. (Submitted)

Online resource

Baker, Catherine (2013) Book review: Studying popular music culture. LSE Review of Books (22 Aug 2013). Website.

Baker, Catherine (2017) Eurovision 2017 was remarkable for its lack of politics. LSE European Politics and Policy (EUROPP) Blog (15 May 2017). Website.

Beckett, Charlie (2010) Getting a Handel on the truth: ‘Alcina’ in Vienna. POLIS: journalism and society at the LSE (21 Nov 2010). Website.

Beckett, Charlie (2007) Kylie, a museum and music journalism. POLIS: journalism and society at the LSE (05 Feb 2007). Website.

Beckett, Charlie (2009) Michael Jackson: media, mourning, music and monstrosity. POLIS: journalism and society at the LSE (26 Jun 2009). Website.

Beckett, Charlie (2007) Reporting rock and roll fascism. POLIS: journalism and society at the LSE (20 Jun 2007). Website.

Behr, Adam, Negus, Keith and Street, John (2017) Understanding musical copyright in the digital age. LSE Business Review (26 Sep 2017). Website.

Benneworth, Paul (2013) Book review: Music festivals and regional development inAustralia. LSE Review of Books (25 Mar 2013). Website.

Book Reviews, LSE (2014) Reading list: 7 must-read books on music festivals and carnival culture. LSE Review of Books (26 Aug 2014). Website.

Broughton Micova, Sally (2016) Why the UK’s creative industries are better off in the EU. LSE European Politics and Policy (EUROPP) Blog (16 Jun 2016). Website.

Bull, Anna (2015) Book review: El Sistema: orchestrating Venezuela’s youth. LSE Review of Books (24 Mar 2015). Blog Entry.

Chandler, Michael (2012) #LSE alum helps #SierraLeone youth find a #WAYout. Africa at LSE (20 Feb 2012). Website.

Charles, Helen (2012) Benefits of the Internet for Musicians and Fans are Under Threat. LSE Health and Social Care (11 Sep 2012). Website.

Daniel, Ronda (2016) A week of black feminism and colourism – in pictures. Researching Sociology (29 Apr 2016). Website.

Dunin-Wąsowicz, Roch (2017) The Eurovision in Ukraine was an exercise in soft power. LSE European Politics and Policy (EUROPP) Blog (24 May 2017). Website.

Fatsis, Lambros (2020) Book review: the use and abuse of music: criminal records by Eleanor Peters. LSE Review of Books (16 Jan 2020), 1 - 3. Blog Entry.

Flamsholt Jensen, Christine (2012) The business of bling: how Hip Hop makes American music history (guest blog). POLIS: journalism and society at the LSE (03 Dec 2012). Website.

Garland, Ruth (2013) Strange fascination: image in music and politics Part One. POLIS: journalism and society at the LSE (16 Dec 2013). Website.

Hasan, Mubashar (2015) Rock ‘n’ Roll, social change and democratisation in Bangladesh. South Asia @ LSE (04 Dec 2015). Website.

Hensby, Alex (2015) Book review: networks of sound, style and subversion: the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80. LSE Review of Books (22 Apr 2015). Website.

Knott, Ellie ORCID: 0000-0002-9131-3939 (2016) Ukraine’s Eurovision victory brings the plight of Crimean Tatars to a European audience. LSE European Politics and Policy (EUROPP) Blog (15 May 2016). Website.

Lomas, Matt (2008) NME: rock music media dinosaur or breakthrough act? POLIS: journalism and society at the LSE (21 Mar 2008). Website.

Moran, Danielle (2010) Music, creativity and copyright: Sharkey gig at LSE. POLIS: journalism and society at the LSE (22 Oct 2010). Website.

Owusu-Bempah, Abenaa (2020) Part of art or part of life? Rap lyrics in criminal trials. British Politics and Policy at LSE (27 Aug 2020). Blog Entry.

Pemberton, Mark (2018) Orchestral manoeuvres, in the dark: what Brexit means for touring musicians. LSE Brexit (13 Aug 2018). Website.

Roberts, Syamala (2017) Book review: the age of noise in Britain: hearing modernity by James G. Mansell. LSE Review of Books (19 May 2017). Website.

Singeisen, David (2014) Book review: sing the rage: listening to anger after mass violence by Sonali Chakravarti. LSE Review of Books (26 Aug 2014). Website.

Umney, Charles (2016) Musicians are exploited on the London and Paris jazz scenes. LSE Business Review (23 Mar 2016). Website.

Umney, Charles (2016) New online live music agencies have oversized power over musicians. LSE Business Review (29 Sep 2016). Website.

Velander, Marielle (2015) Throw your heart out into the world: a tribute concert to Pakistani human rights activist Sabeen Mahmud. South Asia @ LSE (19 Jun 2015). Website.

Warwick, Ben (2013) Rescuers & Redeemers: The Evangelical Church’s role in the anti-trafficking movement. Engenderings (13 Nov 2013). Website.

Zaborowski, Rafal (2016) Hello from the other side of music video regulation. Parenting for a Digital Future (11 Apr 2016). Website.

This list was generated on Mon Sep 28 20:52:16 2020 BST.