Mediating queer masculinities through alternative music from Palestine

Withers, Polly ORCID: 0000-0002-5892-3305 (2024) Mediating queer masculinities through alternative music from Palestine. Feminist Media Studies. ISSN 1468-0777

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Abstract

Queer feminist media studies habitually overlooks how popular communications mediate same-sex sexualities beyond the global northwest. Thinking with this gap, this paper problematises mediated queerness in the Arab world. I use the case study of ‘alternative’ music in Israeli-dominated Palestine to theorise how far (or not) Palestinian vernacular modalities constitute a politics of sexuality above and below – although not necessarily in opposition to – the master-narratives of LGBTQ+ recognition, visibility, and the individual closet that often overshadow global commodity platforms. Drawing on my twenty-eight-month ethnography on 'alternative' music in Palestine, I explore how queer-identifying Palestinian musicians use music, drag, and performance videos to self-fashion gender and sexual identities, in the context of dominant, media-friendly visions of queerness on digital networks. Through close reading of Bashar Murad's 2021 song and video, "maskhara" (mockery), and via interviews and ethnographic data, I argue that music constitutes a shifting politics of sexual (in)visibility in Palestine. Musicians move between visible and invisible queer subject positions, depending on audience, locality, and framing. Expanding the field’s focus on Anglo-American sexual representations, then, the contribution theorises mediated queer cultural worldmaking in contexts of settler-colonisation and militarised occupation.

Item Type:	Article
Official URL:	https://www.tandfonline.com/journals/rfms20
Additional Information:	© 2024 The Author(s)
Divisions:	Middle East Centre
Subjects:	M Music and Books on Music > M Music H Social Sciences
Date Deposited:	27 Mar 2024 09:39
Last Modified:	29 Nov 2024 05:57
URI:	http://eprints.lse.ac.uk/id/eprint/122506

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